.png)
5 months ago
15
Taylor Swift officially dropped The Tortured Poets Department on Friday - her hotly-anticipated 11th studio album.
The album featured 16 songs and a bonus track detailing her breakups from the likes of Joe Alwyn and Matty Healy and fans were eager to listen and dissect the lyrics.
Side A began with the Post Malone collaboration, Fortnight, and was followed by the album's title track, My Boy Only Breaks His Favorite Toys and Down Bad.
Side B had So Long, London, But Daddy I Love Him, Fresh Out the Slammer, and Florida!!!, with the latter song featuring Florence + the Machine.
Side C offered Guilty as Sin?, Who's Afraid of Little Old Me?, I Can Fix Him (No Really I Can), and 'Ioml'.
The final part of the album, Side D, had I Can Do It With a Broken Heart, The Smallest Man Who Ever Lived, The Alchemy, Clara Bow and bonus track The Manuscript.
Yet just hours after fans shelled out for her new album, the star sparked a social media frenzy by dropping 15 more tracks.
So what do these tracks mean and who is Taylor singing about?
Taylor Swift officially dropped The Tortured Poets Department on Friday - her hotly-anticipated 11th studio album
Fortnight (feat. Post Malone)
Taylor appears to reference the end of her relationship with Joe Alwyn and her subsequent fling with Matty Healy in the first track on her album.
The first verse appears to hint at the end of her romance with Joe as she sings: I was supposed to be sent away but they forgot to come and get me.
Taylor then wishes an ex well who betrayed her: All of this to say, I hope you're okay, but you're the reason / No one here's to blame but what about your quiet treason.
In the second verse, Taylor talks about a short-lived fling that helped her 'move on', potentially a reference to Matt.
She sings: 'All my mornings are Mondays stuck in an endless Februrary / I took the miracle move on drug and the effects were temporary / And I love you, it's ruining my life / I touched you for only a fortnight.'
The Tortured Poets Department
Another shimmering melody, and lyrics which suggest that Taylor, modestly, doesn't see herself at the top table of tortured poets: 'You're not Dylan Thomas, and I'm not Patti Smith.'
My Boy Only Breaks His Favorite Toys
Written solely by Swift, this song's dense electronic hum adds forceful notes. 'Once I fix me, he's gonna miss me,' she vows.
Down Bad
'Everything comes out teenage petulance,' sings Taylor as she bitterly surveys the fallout from an old relationship.
So Long, London
The first track to be written with The National's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.
But Daddy I Love Him
'I know he's crazy, but he's the one I want,' sings Swift, showing wry humour as she admits to falling for the bad boys. Produced, with real brightness, by Dessner.
Fresh Out The Slammer
Finger-picked acoustic guitar adds folky notes reminiscent of lockdown albums Folklore and Evermore.
Florida!!! (feat. Florence + The Machine)
An album highlight, this theatrical duet with London singer Florence Welch is an uplifting song of escape – from small-town life and a bad romance.
Guilty As Sin?
A tale of unrequited love, and a superb slice of 1980s-style soft rock. It even mentions The Downtown Lights, a 1989 single by Scottish band The Blue Nile.
Who's Afraid Of Little Old Me?
Big drums, a dramatic arrangement, and more dry humour in another song penned solely by Swift. 'You wouldn't last an hour in the asylum where they raised me,' she snarls.
I Can Fix Him (No Really I Can)
A moody, stripped-down number worthy of Lana Del Rey, who has also worked extensively with the song's producer, Jack Antonoff.
This is her first new album since the end of her six-year relationship with British actor Joe Alwyn and, while she doesn't mention Alwyn by name, speculation will be rife that tracks such as So Long, London are about him. Pictured together in 2019
The Alchemy: Sporting metaphors aplenty suggest a track inspired by the singer's current boyfriend, American football star Travis Kelce. Pictured at Coachella this week
loml
'You said I'm the love of your life,' sings Taylor on this warm, resonant piano ballad. In a smart twist, the 'loml' ultimately becomes 'the loss of my life'.
I Can Do It With A Broken Heart
More 1980s influences on an electronic pop track that sees Taylor vowing to remain a trouper, despite any romantic strife.
The Smallest Man Who Ever Lived
'You didn't measure up in any measure of a man,' sings a disdainful Swift on a melodramatic ballad.
The Alchemy
Sporting metaphors aplenty suggest a track inspired by the singer's current boyfriend, American football star Travis Kelce. 'When I touch down, call the amateurs and cut them from the team,' she sings.
Clara Bow
It's tempting to think Taylor sees something of herself in a closing track inspired by an American actress of the 1920s who lived her life in the Hollywood goldfish bowl.
The Black Dog
Taylor refers to a bar in Vauxhall, London, The Black Dog that she notices her ex going to one night after he forgot to stop sharing his location.
She suggests her ex is going there to meet a new woman and sings: 'I move through the world with a heart broken. My longings stay unspoken, and I may never open up the way I did for you.'
Imgonnagetyouback
Taylor is torn between calling things off for good or rekindling with an ex in imgonnagetyouback.
Emotions are clearly running high as she sings: ‘Whether Im gonna be your wife / Or smash up your bike / I haven’t decided yet’.
The Albatross
Taylor is taking no prisoners in this track, referring to herself as one of the largest seabirds on Earth - famed for their giant wingspan and ability to glide seamlessly.
She sings about taking revenge with the lyrics: 'She is here to destroy you/ Devils that you know / Raise worse hell than a stranger'.
Chloe or Sam or Sophia or Marcus
Taylor makes references to a partner abusing drugs.
She sings 'You said some things that I can't unabsorb / You turned me into an idea of sorts / And I couldn't watch it happen'.
How Did It End?
Taylor appears to reference the speculation over her relationship with Joe Alwyn as she details in the chorus:
'Come one come all It's happ'nin' again / The empathetic hunger descends We'll tell no-one / 'Cept all of our friends / We must know How did it end?'
The Bad Blood songstress, 34 - who recently teased a 'timetable' to her fans ahead of the LP's release - initially announced the album while attending the 2024 Grammys earlier this year in February.
The title of her latest work had caused fans to speculate that the name was aimed at her ex, Joe.
As the album hit streaming platforms, Swift published a lengthy statement on Instagram where she described it as 'an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure.'
She continued: 'This period of the author's life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted.
'This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.
'And then all that's left behind is the tortured poetry,' concluded Swift, as she announced: 'THE TORTURED POETS DEPARTMENT is out now.'
Hours later, Swift surprised fans by announcing it was a surprise double album.
Despite already splashing out for multiple versions of the record in a bid to get their hands on all four bonus tracks, fans will have to part with even more hard-earned cash when the super-sized record goes on sale.
After releasing her new album at midnight ET (2am UK time), Taylor took to Instagram to announce her latest record was actually a surprise 'double album,' after sparking a flurry of speculation by posting a countdown clock on social media.
Captioning the post, Taylor told her followers that she'd written 'so much tortured poetry in the past two years' that she wanted to share it with her fans.
Sharing the double album was called The Tortured Poets Department: The Anthology, she wrote: 'It's a 2am surprise: The Tortured Poets Department is a secret DOUBLE album. ✌️
'I'd written so much tortured poetry in the past 2 years and wanted to share it all with you, so here's the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn't mine anymore… it's all yours.'
While the deluxe version is not yet available for Taylor's website, there were four different versions of the original album available, each containing a different bonus track, and priced at £13.99 ($17.38).
The vinyl version, including bonus track The Manuscript, costs £33.99 ($42.23), while a 'phantom clear vinyl' is price the same.
This means, that if Swifties were willing to splash out on every incarnation of the album, it's already set them back over £140 ($174).
It remains to be seen how much more this new supersized version of the album, and its various vinyl counterparts, will cost.
English (US)